Art Institute, Orange County: November 2011 by Paul Ecke

Press Release

Exhibition: FRACTALS
Showing: November 2011 - January 2012

In his series “Fractals,” Paul Ecke explores the complexities of human inter-relationships in the form of the line, pattern and color.  Ecke addresses the timeless journey of the eternal acting as a shamen.  He in turn allows us to confront the passages of birth, life and death.  In nature as well as mathematics, fractals are geometric objects that in their basest form contain self-similar structures that are repeated in the whole.  Thus, everything comes from and is composed of fractals.  For, Ecke the fractal becomes his meditative mantra and his path-road into this life experience.  From the child to the man, life is composed of repeating relationships and inter-connecting journeys.  His stripes transform into intersections and his circles become cycles of consciousness.  Each artwork is created through applying multi-layers of paint and media and then stripping them away.  Thus, even in his process, Ecke demonstrates that all can be deconstructed and constructed again from simple elements.  With each piece the viewer is then asked to engage in their own personal dialogue of their roadmap. 

"The Human Canvas": Gebert Gallery, Los Angeles: November 19th, 2010 by Paul Ecke

Press Release

Exhibition: THE HUMAN CANVAS
Showing: November 19th 2010 - December 15th 2010

In "The Human Canvas," artist, Paul Ecke explores the reality that each of us is tattooed, some on the outside but all on the inside, where we all hide our burdens and pleasures in a very secret way. This suite is a continuation of the artist's earlier work "Men Behind Gates." "Men Behind Gates" represented a return to his classical figurative training and became an awakening of man's emotional struggles--struggles imposed by society as well as self. Like "Men Behind Gates," this is a raw and an emotionally driven series that is both bold and honest in content. Yet "The Human Canvas" forgoes the implementation of the painted gate and instead propels the viewer to a more provocative and passionate exploration through the form of the tattoo.

Each painting was a collaboration of letters, drawings from tattoo artists and models who all participated to bring each work to fruition. All were united through the commonality of the tattoo--the art form of using skin as canvas. [...] On the surface, the artist was confronted by the cultural stereotypes of tattoos. Instead he found intellectuals, professionals and artistic expression. He examined the historical, trends and decorative nature of the tattoo and discovered that the tattoo consciously or unconsciously is another form of a doorway to one's deeper self.

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